![]() ![]() In the Nodes window in the top left of the screen, drop down the menu that says "Clip" and select "Group Pre-Clip" instead.Select the first clip in your timeline.A Green link should appear next to each clip. Right mouse click on the selected clips and choose "Add into New Group". ![]() Select all of your clips in the middle of the screen (select the first, scroll to the end, hold down Shift, and select the last).Navigate to the "Color" tab after dragging all of your clips into the timeline in the above steps.If you want to add a LUT before transcoding your media, you can do so in Resolve. Click "Add to Render Queue" and then click "Render" on the right side of the screen.All other settings are optional - refer to a Lab Assistant if you are having trouble understanding any of them.You can also rename your files at this point, but we do not recommend doing so, as relinking media with different file names can occasionally be problematic.Set your destination by clicking "Browse" and selecting a new folder on your hard drive for proxy media.For Premiere, choose "Quicktime" under Video Format and "Apple ProRes 422 HQ" under codec.For Avid, choose "MXF OP-Atom" under Video Format and "DNxHD 1080p 145/120/115 8-bit" under codec.In the Render Settings window, select "Individual Source Clips".Now navigate to the "Deliver" tab on the bottom of the screen.Select all of your clips and drag them into the new timeline.Right mouse click in the Timelines window and select "Create New Timeline".Now navigate to the "Edit" tab on the bottom of the screen.Change your project settings to match the imported clips if prompted. Select it, right mouse click, and choose "Add folder and subfolders to media pool". Under the Media Storage window in the top right hand side of the screen, navigate to the footage on your hard drive.Open DaVinci Resolve and make sure you are on the "Media" tab on the bottom of the screen.You can use DaVinci Resolve in the Post Production Labs or by downloading the free lite version of Davinci from Blackmagic. ![]() However, creating proxies in Premiere or Avid may be a more streamlined workflow. Why DaVinci Resolve?ĭaVinci Resolve is a good option to transcode your footage because it is well-equipped for handling 2K and 4K video and because the workflow allows for adding burned in LUTs. Creating proxy media is a great way to speed up the editing process without impacting your final product. ![]() Certain video codecs in any resolution are also not ideal for editing. General performance and stability improvements.When you shoot in 2K or 4K, it's not advisable to use that footage for editing, as the high level of information contained in every frame will slow you down.Addressed playback glitches for some long GOP formats in Apple silicon.Addressed ProRes 422 artifacts for some rendered clips on Apple silicon.Addressed trims not applied from imported Dolby Vision 2.9 XML metadata.Addressed an issue rendering additional outputs with data burn-in.Addressed retime and mixed frame rate issues when importing AAFs.Addressed issues when extruding 3D text from specific TrueType fonts.Addressed an issue with missing Text+ fonts in Mac OS Monterey.Addressed layout and refresh issues after using the cinema viewer.Addressed Dolby Vision tone mapping for DaVinci YRGB projects.Ability to set output colorspace in DaVinci YRGB projects.Faster 12K Blackmagic RAW decode and playback on Apple silicon.Support for decoding 6K and 8K clips from the Sony Venice 2.Improved nested timeline decompose for audio, plugins and automation.And I’m always excited for the performance and stability increases in each release.Īs always, be sure to back up your database before updating.įor details, downloads, and update instructions, visit the Blackmagic Design Support Page. Improvements for decomposing nested timelines is great for me. In addition, this update improves importing of AAF files with retime or mixed frame rates DaVinci Resolve 17.4.5 also adds support for decoding 6K and 8K clips from Sony Venice and improves text processing with 3D text and Text+ fonts. This software update improves deconstruction of nested timelines for audio tracks, and adds support for 20% faster decoding and rendering of Blackmagic RAW 12K files on Apple M1 Max. This update includes a few new minor features and a host of fixes. Shout out to Blackmagic Design for monthly-ish improvements! As always, it’s great to see regular updates. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |